Genre: Drone

Track Listing:

1-7: Untitled

Over the last decade, drone machine PBK has been trying to get the attention of C. Reider in hopes of doing some sort of musical collaboration. Alas, nothing ever came of this correspondence. But hold on there, the story’s not done at that point. Earlier this year, Reider finally responded by sending in the mail to PBK a parcel with a finished master in it that would be the building block if you like, the foundation for what has become Discorporate. PBK, the drone-meister of the indie-underground listened to the source material and liked what he heard. What fascinated him most was the mood of the music - a number of untitled mixes that were neo-psychedelic in nature; spacey, ethereal, atmospheric and very ambient-drone oriented.

Well, PBK put in his own two cents’ worth to make it a genuine collaboration and the result is this 7-track drone-lovers wet dream. Something that will numb the mind and body. At certain points he is content with just letting the pre-programmed synthesizers do the work and just twist some knobs to tweak it just so.

C. Reider is a man from Colorado that has been putting his own mark on the drone scene of late. Although Discorporate was recorded on Poland’s Impulsy Stetoskopu record label, Reider records his stuff for the indie label, Vuzh Records. If you go to Reider’s MySpace page you can check out for yourself what he sounds like on his own. No newcomer to the indie DIY drone scene, Reider’s got a lot of brilliant ideas flowing through his head, There again you come to that thin line between genius and madness - is he a brave new world of sound and vision or just a nut who’s warped brain has turned him into a nightmare soundtrack-making machine? Hard to tell sometimes, but the answer is definitely the former. Just take a listen to his “October22wCR-78”, the first track on his front page, profile MySpace playlist, or the following cut, “February 14 f TR-606”.

What these guys may lack in imagination in naming their songs, they make up for with the little nuances and tics here and there throughout; because really, without a little something spicy mixed in at certain (layered) levels, the “drone” aspect of it all becomes a bit, well droll after a while. So the musical marriage of these two drone and experimental music machine-toolers reflect a future that is both enticing, ominous and right on the knife’s edge - anything can happen (and usually does).